Sea Change is a student-curated exhibition of prints, paintings, photographs and ceramics from the School of Art collection. The exhibition borrows for its title a phrase from Shakespeare’s Tempest to explore its metaphorical potential.
On 23 October 2017, the School of Art Museum and Galleries at Aberystwyth University received a substantial gift of some 174 artworks by the Welsh painter-printmaker Bert Isaac, who died in 2006. As Professor Robert Meyrick discovered on visiting his home in Abergavenny, his studio was a veritable treasure trove of prints, drawings and paintings, as well as sketchbooks and beautifully designed, hand-bound books that Isaac had produced in the course of a long artistic career dating back to the early 1940s. Continue reading
As part of the first year art history module Exploring the School of Art Collections, students have the opportunity to write a small piece for this blog. This year the group focused on our photography collection. Each student had the opportunity to choose from a selection of prints from British, American and Italian photographers active in the mid 20th century. They only had one week to undertake some research before presenting their drafts. They all worked very hard on these projects so please take the time to view their efforts.
The phrase ‘alternative facts’ is a recent addition to our vocabulary. It has come to prominence in a political climate in which views and actions are shaped more by emotions than by reliable intelligence. Reflecting this shift, Oxford Dictionaries declared ‘post-truth’ to be Word of the Year 2016. And yet, alternative facts are as old as language itself. Continue reading
Matter of Life and Death was an exhibition of black-and-white photographs from the School of Art collection at Aberystwyth University. About sixty photographs were selected for display by a group of School of Art undergraduates who were enrolled on the module Curating an Exhibition. Continue reading
Special thanks to Joyce Cummings and Vic of the Cheltenham Local History Society; without their research in local Cheltenham Newspapers this essay would have been much poorer.
The School of Art collection at Aberystwyth houses eleven landscape prints engraved by Edward John Burrow after drawings by Robert Eustace Tickell. Tickell had them printed in a volume entitled ‘The Vale of Nantgwilt – A Submerged Valley‘ in1894 (Fig. 1). Who were Burrow and Tickell and why did they choose to record these pleasant and picturesque if otherwise unremarkable scenes?
This link leads to Nicole Elaine Wade’s website which was the result of her MA research project back in 2015. ‘Views of the Picturesque’ aims to provide a selective interpretation of late eighteenth century landscape prints within the Aberystwyth University School of Art Gallery and Museum Collection.
Landscape With A Goatherd, Richard Earlom after a drawing by Claude Lorrain, 1774