Illustrator Mary Ellen Edwards was born to Mary (née Johnson, c.1809-1898) and Downes Edwards (c. 1805-1882) on the 6th November 1838 on her father’s farm in Surbiton just outside London. The family had nine children of which two died in infancy. The Edwards moved frequently. Her father was an engineer and inventor and had by 1848 enough funds to built a family residence, Ravenscliffe in Douglas on the Isle of Man. Eventually they settled in London and lived there at various addresses in fashionable parts of town such as Pimlico, South Kensington and Chelsea.
Joseph (Mathias) Wolf was born on the 22nd January 1820 in the little village of Mörz, near Koblenz, Germany. His father, Anton Wolf (1788-1859) was a farmer and headman of the village. As a boy, Wolf loved spending time outdoors, observing and sketching the local wildlife. Sometimes, he would shoot specimens to dissect them at home in order to achieve a better understanding of their anatomy, plumage or fur. He would also capture live birds and mammals to draw them. He built special traps to catch large birds of prey without harming them. His obsession, apparently, earned him the unflattering nickname ‘bird fool’ from his father. Watching wildlife became a lifelong passion and, although he killed some for study, he abhorred the mindless slaughter of animals that many Victorians regarded as a ‘manly’ pastime and sport. According to his biographer and friend Alfred Herbert Palmer (1853-1931), son of artist Samuel Palmer (1805-81), Wolf accused these ‘sportsmen’ of having “no desire to know about a thing. Their only desire is to kill it.” He also called man “the most destructive and carnivorous animal in the world.”
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Curiosity: Tiger head and forepaws in glass case
Date: 1903 (shot)
Origin: Bharatpur, Rajasthan, India
Maker: J. Hutchings, Naturalist and Gunmaker, Aberystwyth
Measurements (case): 71x41x79cm
This link leads to the Karen Westendorf’s website about the 19th century illustrator Richard Doyle. It is the result of her MA research project back in 2015. The School of Art holds a series of his illustrations, designed for The Cornhill Magazine in 1861/2. (They are not the original drawings but the printed foldouts as they appeared in the magazine.)
At Home (example of Richard Doyle’s Bird’s-Eye Views of Society)
28 November 2016 – 17 February 2017
John Elwyn was born one hundred years ago in Adpar, south Ceredigion where his father ran a woollen mill on the banks of the river Teifi. This exhibition, curated by the artist’s friend and biographer Professor Robert Meyrick, commemorates the centenary of the birth of one of Wales’ most distinguished artists whose paintings have contributed significantly to the British landscape tradition.
A missing marble bust by eminent Welsh sculptor Joseph Edwards (1814-1882) has been rediscovered in an under-stairs cupboard in the Old College at Aberystwyth University.
In November 2015, Dr. Anna-Claudia Guimbous, daughter of the photographer Erich Retzlaff (1899-1993), donated to Dr. Christopher Webster van Tonder and the School of Art Collection, over 1000 negatives and around 160 black and white vintage prints that she recently discovered stored securely in her basement. Dr. Guimbous has, along with her sister Bettina Retzlaff-Cumming, already generously donated a large number of vintage photographs by Erich Retzlaff to the School of Art Collection in recent years making our collection of Retzlaff’s work the largest outside of Germany and the second largest in the world. This new and important addition to the Collection includes portraits and landscapes from the 1930s and 1940s, examples of his innovative colour work, and an extensive number of Retzlaff’s post-war architecture, travel and landscape work.
Curators Professor Robert Meyrick and Dr Harry Heuser of the School of Art recently attended the opening of their latest exhibition An Abiding Standard: The prints of Stanley Anderson at the Royal Academy in London. This is the second RA show that Meyrick has curated both of which form part of a larger series of exhibitions and catalogues raisonné celebrating the work of Royal Academician printmakers.
Below are a few photos from our activities for Universities Week 2014. Many thanks to Andrew Baldwin, Jen Loffman and Phil Garratt for delivering these enlightening sessions.