Special thanks to Joyce Cummings and Vic of the Cheltenham Local History Society; without their research in local Cheltenham Newspapers this essay would have been much poorer.
The School of Art collection at Aberystwyth houses eleven landscape prints engraved by Edward John Burrow after drawings by Robert Eustace Tickell. Tickell had them printed in a volume entitled ‘The Vale of Nantgwilt – A Submerged Valley‘ in1894 (Fig. 1). Who were Burrow and Tickell and why did they choose to record these pleasant and picturesque if otherwise unremarkable scenes?
The Tempting Moment
Father and Son
One too Many
My Brothers the Dogs
Pedoift at Fault
The End of the Elopement
The Moth and the Candle
The Resident Gentry
The Cabin Door
The Major’s Clock
The Wife’s Question
Force and Cunning
Music on the Water
The two Armadales
Miss Gwilt and the Gorgons
A Client for Mr Pedoift
The Sop to Cerberus
Thanks to the Thunder
Click on the images to enlarge them.
Wilkie (William) Collins was born on the 08th of January 1824 at 11 New Cavendish Street, St. Marylebone, Middlesex, and died on the 23rd of September 1889 in Wimpole Street, London. The successful author wrote popular, so-called ‘sensation novels’ such as The Woman in White, which was first serialised in Charles Dickens’ magazine All Year Round 1859-60 and then published in book-form in 1860, and The Moonstone which was also at first issued in instalments in All Year Round before being sold in book-form (1868).
Armadale was initially serialised in the Cornhill Magazine between November 1864 and June 1866 before being available in the bookshops. Collins received a generous commission of £5,000 for his story from the proprietor of Cornhill Magazine, George Murray Smith (1824-1901). The Illustrator, painter and wood-engraver George Housman Thomas (1824-1868) created the illustrations.
Title: La Belle Dame sans Merci (1819)
Author: John Keats
Publisher: The Eragny Press, The Brook, Hammersmith
(Lucien Pissarro and his wife Esther established the private press in 1894.)
Date of Publication: 1906
Measurements: 80 x 110mm
Limited edition: 200 copies on paper and 10 copies on vellum
Gallery 1 & 2
30 November 2016 – 17 February 2017
Representing the work of the careers of individual artists in the School of Art Collection
Prints, drawings and paintings by Bernard Cheese, George Chapman, John Copley, Ethel Gabain, Evelyn Gibbs, Rigby Graham, Derrick Greaves, Chris Penn and Keith Vaughan.
Curators Professor Robert Meyrick and Dr Harry Heuser of the School of Art recently attended the opening of their latest exhibition An Abiding Standard: The prints of Stanley Anderson at the Royal Academy in London. This is the second RA show that Meyrick has curated both of which form part of a larger series of exhibitions and catalogues raisonné celebrating the work of Royal Academician printmakers.