In the Spring of 2018, the Royal Society of Painter-Printmakers (the RE) marked the 200th anniversary of the birth of the founder and its first President Sir Francis Seymour Haden, with Print REbels an exhibition which reflects on its past and present members, the history, and the legacy of the Society. The exhibition brings together a prestigious collection of prints by Haden and those who inspired him such as Rembrandt and Dürer and his contemporaries, including Samuel Palmer and James Abbott McNeill Whistler. Continue reading
As part of the first year art history module Exploring the School of Art Collections, students have the opportunity to write a small piece for this blog. This year the group decided on the theme of ‘The Stage’. Each student had the opportunity to choose from a selection of prints, drawings and photographs featuring theatres, concerts, ballets, circuses and more. They only had one week to undertake some research before presenting their drafts. They all worked very hard on these projects so please take the time to view their efforts.
Did you know Aberystwyth University holds an outstanding collection of prints? If you would like to learn about the different ways prints are made, and get hands-on experience of our print collection, then History of Printmaking is for you. The course surveys the development of printmaking from the 15th century to the present with reference to the work of many famous artists including Dürer, Rembrandt, Goya, Piranesi, Gillray, Whistler and Picasso. By the end of the course you will know your mezzotint from your aquatint, have a good historical understanding of the role of the print in society and be able to start collecting prints with confidence.
Tutor: Phil Garratt
Fee £110, course code CA109
Dydd Mercher / Wednesday, 1.30-4.00pm, Oct 24, Nov 7, 21, Dec 5 19, Jan 9, 23, Feb 6
Contact Phil Garratt on email@example.com if you are interested in enrolling or would like further details about the content of the course.
Addysg Uwch yn y Gymuned / Higher Education in the Community
Our Postgrads have worked hard to create this exhibition and they can be proud of what they have achieved. Here are some impressions of the show and the private view, which was on Saturday, 19th September.
The show is still open Monday, 24th & Tuesday, 25th, 10am-5pm, and Wednesday, 26th September, 10am-3pm. You’re very welcome to visit and explore the postgraduate show and the Sea Change & Discourse: Reynolds to Rego exhibitions in our public galleries! The latter are still on until Friday, 28th, 10am-5pm daily.
(Click on the images to enlarge them.)
The private view of this year’s postgraduate exhibition is
on Saturday, 15th September 3pm – 4.30pm.
Joseph (Mathias) Wolf was born on the 22nd January 1820 in the little village of Mörz, near Koblenz, Germany. His father, Anton Wolf (1788-1859) was a farmer and headman of the village. As a boy, Wolf loved spending time outdoors, observing and sketching the local wildlife. Sometimes, he would shoot specimens to dissect them at home in order to achieve a better understanding of their anatomy, plumage or fur. He would also capture live birds and mammals to draw them. He built special traps to catch large birds of prey without harming them. His obsession, apparently, earned him the unflattering nickname ‘bird fool’ from his father. Watching wildlife became a lifelong passion and, although he killed some for study, he abhorred the mindless slaughter of animals that many Victorians regarded as a ‘manly’ pastime and sport. According to his biographer and friend Alfred Herbert Palmer (1853-1931), son of artist Samuel Palmer (1805-81), Wolf accused these ‘sportsmen’ of having “no desire to know about a thing. Their only desire is to kill it.” He also called man “the most destructive and carnivorous animal in the world.”